The amount of transparency you get when using the CL2A is similar to the CL1B.Some differences exist between the two units: CL2A features a different optical element, with a little more “soft”or “rounded” action compared to the element in the CL1B.CL2A versus CL1B: CL2A is based on the CL1B, but it”s not a stereo CL1B!.The TUBE-TECH CL2A design is based on the famous CL1B but not exactly the same. Input and output are transformer balanced and fully floatingįAQ: What’s the difference between CL1B and CL2A?.Interconnection of several compressors via two busses.Continuously variable attack and release times.Frequency response -3 dB: 5 Hz to 60 kHz.Low-distortion optical gain reduction element.With the exception of the anode voltage for the output stage, all DC voltages are stabilized. The power supply and the sidechain circuit are based on solid state designs. Both Input and Output are balanced and have fully floating transformers with a static screen. The optical gain reduction element is placed after the input transformer and followed by an all tube-based output amplifier with a +10 dB gain.Ī link switch is provided for use of the two separate compressors in stereo mode or for linking several compressors together. Among engineers, the CL 2A is loved because of its ability to keep instruments at their right place in the mix, while still retaining their dynamics.ĬL 2A is a two channel all-tube opto compressor, featuring two independent channels. Use it on keyboards, guitars, vocals or even on the mix buss – the result is always musical, smooth and transparent. The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels.ĬL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for.
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